Callboys - Die Schönen der Nacht (German Edition)

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Nevertheless, there is great diversity in German language pop music.

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There is also original English-language pop music from Germany, some having international success for instance the Scorpions and James Last , but little with enduring broad success in Germany itself. There was very little English pop music from East Germany. Germany has also had a thriving English-language pop scene since the end of the war, with several European and American acts topping the charts. However, Germans and German-oriented musicians have been successful as well. In the s and the first decade of the 21st century such European pop acts were popular as well as artists like Sarah Connor , No Angels and Monroseall who performed various types of mainstream pop in English.

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Many of these acts have had success all over Europe and Asia. Liedermacher Songwriter has sophisticated lyrics and is sung with minimal instrumentation, for instance only with acoustic guitar. Some songs are very political in nature. Herman van Veen from the Netherlands was also very popular in Germany. Several Liedermacher artists also record special albums for children. Prior to the late s however, rock music in Germany was a negligible part of the schlager genre covered by interpreters such as Peter Kraus and Ted Herold , who played rock 'n' roll standards by Little Richard or Bill Haley, sometimes translated into German.

Genuine German rock first appeared around , just as the hippie countercultural explosion was peaking in the US and UK. At the time, the German musical avant-garde had been experimenting with electronic music for more than a decade, and the first German rock bands fused psychedelic rock from abroad with electronic sounds. It was arguably the first successful unique German form of Pop music, but was limited in its stylistic devices funny lyrics and surreal composition and production.

Though it was a huge success in Germany itself in the s, this was not long-lasting mostly due to over-commercialization. In the s and s most German-language popular music was sung by male solo artists. Maffay developed from Schlager to rock and has a large but delimited fan base—he is seldomly played on the radio. Hamburger Schule School of Hamburg is an underground music-movement that started in the late s and was still active till around the mids.

It has similar traditions as Neue Deutsche Welle and mixed all that with punk , grunge and experimental pop music. Hamburger Schule has been an important part of Germany's youth and gave the term "Pop" a new definition, as now it was "ok" or "cool" to sing in the German language. Hamburger Schule also includes intellectual lyrics with postmodern theories and social criticism.

Important artists are Blumfeld , Die Sterne and Tocotronic. By the early s, experimental West German rock styles had crossed the border into East Germany and influenced the creation of an East German rock movement referred to as Ostrock. On the other side of the Iron Curtain , these bands tended to be stylistically more conservative than in the West, to have more reserved engineering, and often to include more classical and traditional structures such as those developed by Kurt Weill and Bertolt Brecht in their s Berlin theater songs.

These groups often featured poetic lyrics loaded with indirect double-meanings and deeply philosophical challenges to the status quo. As such, they were a style of Krautrock. There was also a wide diversity of underground bands. By s the German band Wir sind Helden found success with a new musical self-confidence. This success was followed by several other bands and a broader acceptance of existing German-language recording artists, such as:. The Notwist , an indie rock band, had great critical and commercial success with their album Neon Golden.

In the late s prior to reunification and the s, Synthpop and Eurodance became popular throughout Germany. Often, different styles were mixed in between these to attract a broad variety of audiences.

Successful representatives of these styles were:. Popular bands and performers include Culcha Candela , Dr.


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Hip hop in Germany arrived in the early s, and graffiti and breakdancing became well-known quickly, even in socialist East Germany [11]. German hip hop "started out as a transnational youth subculture. An early influential group was Advanced Chemistry including Torch.

They sparked an interest in speaking out for the immigrants and used rap as a way to defend themselves. They sing about funny topics, such as infidelity and boasting about their prowess with women. Whereas hip hop had a peak of success in the early first decade of the 21st century, gangster rap became a controversial part of German music and youth culture just as late as with Aggro Berlin. Punk music in Germany has a long and diverse history.

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When bands like the Sex Pistols and The Clash became popular in West Germany, a number of Punk bands were formed, which led to the creation of a German punk scene. Early German punk groups were heavily influenced by UK bands, often writing their lyrics in English. The main difference is that German punk bands hadn't yet become political.

Beginning in the late s and early s there were new movements within the German punk scene, led by labels like ZickZack Records, from Hamburg. Many of these bands played experimental post-punk , often using synthesizers and computers. Both are still active, though they've changed their style several times. In response to these developments, some bands played a more aggressive style of punk rock, because they didn't consider the experimental bands Punk.

There are few German language bands who managed to be successful for a longer period. Both were formed in the early s but have very different approaches to punk. Digital hardcore band Atari Teenage Riot is particularly well known in the United Kingdom and Japan as well as in German autonomist circles.

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Germany has a long and strong history with heavy metal. It is considered by many [ who? The genre is quite popular and mainstream within the country. Germany has a strong tradition of speed metal and power metal. The European style of power metal, developed in Germany, was popularized by German bands like Blind Guardian , Helloween and Gamma Ray , and gained international recognition.

In many cases these bands initially started out playing speed metal, but later switched to power metal. More recently, a new generation of power metal-influenced bands like Masterplan , Orden Ogan , Kissin' Dynamite and Powerwolf is becoming more and more popular in Germany and abroad. Running Wild are also considered a pioneer of the pirate metal genre with the release of their album Under Jolly Roger , which was one of the first pirate-themed heavy metal albums.

Three local variants of metal subgenres exist in Germany. Medieval metal , a branch of folk metal , incorporates German traditional music with industrial metal. It combines the common sound of metal with elements of gothic and industrial music as well as electronic samples and is mostly sung in German. It is known for morbid and provocative lyrical themes and over-the-top stage shows often featuring fire, pyrotechnic, stunts and other special effects.

It draws its audience from both the metal and goth scene. Some bands, especially Rammstein and Oomph! Medieval metal or medieval rock is a subgenre of folk metal that blends hard rock or heavy metal music with medieval folk music.

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Medieval metal is mostly restricted to Germany where it is known as Mittelalter-Metal or Mittelalter-Rock. The genre emerged from the middle of the s with contributions from Subway to Sally , In Extremo , Schandmaul and Wolgemut. The style is characterised by the prominent use of a wide variety of traditional folk and medieval instruments. Germany is the home of a vivid Goth scene, and has a large scene of musicians from the spectrum who are typically known as Goth musicians.

Leipzig is home of the largest event of this subculture worldwide called the Wave-Gotik-Treffen , regularly hosting 25, attendants. Neue Deutsche Todeskunst engl. Germany has the largest electronic music scene in the world [ citation needed ] and has a long tradition in and influence on almost all genres of electronic music.

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The band Kraftwerk was one of the first bands in the world to make music entirely on electronic equipment, and the band Tangerine Dream is often credited as being among the originators and primary influences of the "Berlin School" of electronic music, which would later influence trance music. Artists on the cutting edge of German-language techno include Klee. In the s, Germany was one of the most successful contributors to the Eurodance genre, with notable German-based acts including Snap! He nowadays is one of the most famous performers of electronic music. Trance music is a style of electronic music that originated in Germany in the very late s and early s, upon German unification.

Following the development of trance music in Germany, many Trance genres stemmed from the original trance music and most trance genres developed in Germany, most notably " Anthem trance " or also called "uplifting" or "epic" trance, progressive trance , and " Ambient trance". One of the most notable event referring to this scene was the Love Parade festival with up to 1. Scooter are by far the most successful German dance act, having found huge national and international success.

Klezmer is a musical Jewish genre that consists of mainly instrumental songs. In Germany, Klezmer expanded significantly after the fall of the Berlin Wall in the mids [16]. As Klezmer was expanding, so was the Yiddish folk movement, and the two genres became intertwined to a certain extent. In the s while Klezmer was seeing tremendous growth, many Jews in Eastern Europe turned to Klezmer as a means of understanding their communist backgrounds and showing their remembrance to those who experienced the Holocaust.

Once Klezmer groups started to tour outside of Europe in the s, Americans gained immediate interest in the music genre. Henry Sapoznik created the first American Klezmer band, known as Kapelye, which toured all around Europe [16]. The spread of Americans playing Klezmer brought a new tone to the genre which captured large audiences.

Most American groups who played Klezmer added a hint of American rock into their performances, which was different than the traditional sound of Klezmer in Eastern Europe. It was uncomfortable at first for many of the American Klezmer bands to play in Germany because of the trauma that had occurred there. Despite Germany's background, the American Klezmer groups knew Germany was a place they had to play because of Klezmer's popularity there. Over time, Klezmer's audience expanded in Germany and the American Klezmer bands were able to adjust. A man under the name of Giora Feidman is arguably one of the most influential Klezmer musicians.

Giora Feidman created a new perspective for Klezmer, and shared a new ideology for how the music genre could be viewed and appreciated. Feidman gained a large amount of popularity from his work on the musical play, Ghetto , which associated him and his style with the Holocaust [16]. He brought a new theme to Klezmer music which focused on the remembrance of the Holocaust, and a way of "healing" the trauma caused by the Holocaust. Feidman turned Klezmer into a form of personal expression, in which he tried to unite all people especially the Jews and Germans and all things through Klezmer [16].